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Léon photographies (Saint-Priest-des-Champs, France) on 6 February 2016 in Sport & Recreation and Portfolio.

Rijeka Crnojevića - In the village (Cetinje), Montenegro

L’appartenance des peuples à une culture ne se changeait pas au gré d’un régime politique. Le monde slave était le monde slave. Sa définition se trouvait dans le creux de ses décors.

The feeling of belonging in terms of people and culture couldn’t be changed via the change of a political regime. The Slav world was the Slav world. Its definition could be found in the holes of its decors.

From inside cultures, people and countries, Léon wants to reflect the world as it is. With and without lines, Léon tries not to lie about what he sees and lets know what people express, and what landscapes tell. Photographic work processed with films (Ilford HP5, XP2, FP4, Pan 100 & Pan 50, Portra 800, 400 & 160, Velvia 100 & 50, Sensia 100, Ektar 100, APX 100, Fomapan 200, Tri-X 400, Rolleï 400, BW400CN & Superia 400) by Nikkormat FS, 1968 & Praktica MTL5, 1984.