Canyon - Along Alaska highway (Yukon), Canada
Dans ce froid glacial, l’ajustement des lignes parallèles rendait à l’homme ce qui lui appartenait : sa rigidité sensoriel. Les courbes d’asphalte exultaient de singularité dans cet environnement quadrillé qui traversait la verdoyante taïga canadienne.
In this freezing cold, the ajustment of the parallel lines was giving back to men what belonged to them: their sensorial strictness. The asphalt curves were exulting of singularity in this squared environment that was crossing the verdant Canadian taiga.
From inside cultures, people and countries, Léon wants to reflect the world as it is. With and without lines, Léon tries not to lie about what he sees and lets know what people express, and what landscapes tell. Photographic work processed with films (Ilford HP5, XP2, FP4, Pan 100 & Pan 50, Portra 800, 400 & 160, Velvia 100 & 50, Sensia 100, Ektar 100, APX 100, Fomapan 200, Tri-X 400, Rolleï 400, BW400CN & Superia 400) by Nikkormat FS, 1968 & Praktica MTL5, 1984.