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Coton de bois

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Léon photographies (Saint-Priest-des-Champs, France) on 29 April 2017 in Architecture and Portfolio.

Chamborand - At the church (Creuse), France

Le monde prenait de la distance avec ses croyances inébranlables, ouvrant ainsi ses horizons sur la réalité de l’imaginaire. Là-haut, là où de gentils moutons broutaient des morceaux de ciel, la liberté semblait se dessiner sous les coups répétés du vent qui venait désarçonner les corps malléables de ces ovins transgéniques.

The world was taking its distance with its unshakable faiths, thus opening up its horizons onto the reality of the imagination. Up there, where nice sheep were grazing pieces of sky, freedom seemed to be drawn under the repeated gusts of wind that were unsettling the malleable bodies of these transgenic ovines.

From inside cultures, people and countries, Léon wants to reflect the world as it is. With and without lines, Léon tries not to lie about what he sees and lets know what people express, and what landscapes tell. Photographic work processed with films (Ilford HP5, XP2, FP4, Pan 100 & Pan 50, Portra 800, 400 & 160, Velvia 100 & 50, Sensia 100, Ektar 100, APX 100, Fomapan 200, Tri-X 400, Rolleï 400, BW400CN & Superia 400) by Nikkormat FS, 1968 & Praktica MTL5, 1984.