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Décomposition temporelle

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Léon photographies (Saint-Priest-des-Champs, France) on 4 June 2017 in Architecture and Portfolio.

Saint-Médard-la-Rochette - Maneyraux (Creuse), France

Astucieux et virevoltant, le temps se noyait dans chacun des pores du bois, soucieux des marques qu’il pouvait laisser derrière lui. Chaque main posée sur ces murs, chaque souffle expiré dans l’entre-chambre qui ouvrait sur l’infini et chaque murmure assoupi donnaient à la matière son inextensible besoin de liberté. Elle vivait dans un espace-temps loin du nôtre, bercée par l’infini désir de néant.

Clever and twirling, the time was being drowned in each of the pores of the wood, concerned about the marks it was leaving behind. Each hand set up on those walls, each breath exhaled in the room opened onto infinity, and each asleep whisper were giving to the matter its unlimited need of freedom. It was living in a time space away from ours, rocked by the endless wish of nothingness.

From inside cultures, people and countries, Léon wants to reflect the world as it is. With and without lines, Léon tries not to lie about what he sees and lets know what people express, and what landscapes tell. Photographic work processed with films (Ilford HP5, XP2, FP4, Pan 100 & Pan 50, Portra 800, 400 & 160, Velvia 100 & 50, Sensia 100, Ektar 100, APX 100, Fomapan 200, Tri-X 400, Rolleï 400, BW400CN & Superia 400) by Nikkormat FS, 1968 & Praktica MTL5, 1984.