Auzances - In the village (Creuse), France
Le garage avait fermé. Depuis quand, personne ne saurait le dire, mais avec ses meurtrières grande ouvertes, la porte s’était mise à l’écoute du temps, observant avec sagesse les scènes de rue qui se passaient à l’ombre de son bois.
The garage had closed down. Since when, nobosy could tell, but with its arrowslits wide open, the door had started listening to the time, observing with wisdom the streets’ stages that were taking place at the shadow of its wood.
From inside cultures, people and countries, Léon wants to reflect the world as it is. With and without lines, Léon tries not to lie about what he sees and lets know what people express, and what landscapes tell. Photographic work processed with films (Ilford HP5, XP2, FP4, Pan 100 & Pan 50, Portra 800, 400 & 160, Velvia 100 & 50, Sensia 100, Ektar 100, APX 100, Fomapan 200, Tri-X 400, Rolleï 400, BW400CN & Superia 400) by Nikkormat FS, 1968 & Praktica MTL5, 1984.